The Heiber family lives in a world that’s rapidly crumbling, plagued by flawed and outdated social and political models. Meanwhile a group of aristocrats, led by Helmut Ronen, are creating the perfect city as the answer to all of society’s problems: RONENSBOURGH.

Ronensbourgh, also known as “How is it possible that we have ended up in Ronensbourgh?” is a very contemporary and highly experimental piece, written in a Heiner Müller’s style (no stage directions. No formatting. SOME CAPITAL LETTERS THAT SEEM RANDOM BUT THEY’RE NOT). The play posses relevant questions about identity, society and home; about the conception of those ideas, and the dislodging of the very things our society hold as important.

Directed by: Ignacio Garcia-Bustelo; Scenic Design: Jennifer Sipila; Lighting Design: Porsche McGovern; Video & Projection Design: Laia Cabrera & Isabelle Duverger; Sound Design: Alfredo Tauste; Costume Design: Yuko Nakao; Image: Nancy Grossman*

Claudio Bandini, Mateo Franco, Sara Gozalo, Begonya Plaza, Francisco Reyes

Assistant Director/Stage Manager: Cristina Ayon-Viesca; Line Producer: Soraya Padrao; Production Manager: Cristina Perez Ballesteros; Production Assistants: Sandra Gumuzzio & Maria Gonzalez; Marketing: Allison Kadin & WowMom; Press Representative: Yani Perez & Marcos Garcia

RONENSBOURGH is made posible thanks to the support and contribution of the following organizations: Spain Culture New York, Lower Manhattan Cultural Council, New York State Council on the Arts, New York City Department of Cultural Affairs.

Nancy Grossman (American, born 1940), Untitled, 1972, Lithographic crayon on two joined sheets of paper, Sheet: 99.1 x 96.8 cm. (39 x 38 1/8 in.) The Baltimore Museum of Art: Thomas E. Benesch Memorial Collection, BMA 1973.18 / Photography By: Mitro Hood / Courtesy of Michael Rosenfeld Gallery LLC, New York, NY.

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